翻訳と辞書
Words near each other
・ A Touch of Sadness
・ A Touch of Sin
・ A Touch of Someone Else's Class
・ A Touch of Spice
・ A Touch of Tabasco
・ A Touch of Taylor
・ A Touch of the Blues
・ A Touch of the Blues (Long John Baldry album)
・ A Touch of the Blues (Mal Waldron album)
・ A Touch of the Other
・ A Touch of the Poet
・ A Touch of the Sun
・ A Touch of the Sun (1956 film)
・ A Touch of the Sun (1979 film)
・ A Touch of Velvet
A Touch of Zen
・ A Tough Side of a Lady
・ A Tough Winter
・ A Tour of the Waterfalls of the Provinces
・ A Tour of the White House with Mrs. John F. Kennedy
・ A tour thro' the whole island of Great Britain
・ A Tourist Guide to Lancre
・ A Tower
・ A Town and Two Cities
・ A Town Called Bastard
・ A Town Called Fortune
・ A Town Called Hypocrisy
・ A Town Called Mercy
・ A Town Called Panic
・ A Town Called Panic (film)


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A Touch of Zen : ウィキペディア英語版
A Touch of Zen

''A Touch of Zen'' is a 1971 Taiwanese ''wuxia'' film directed by King Hu. The film won a prize at the Cannes Film Festival, claiming the Technical Grand Prize award.
Although filming began in 1968, ''A Touch of Zen'' was not completed until 1971. The original Taiwanese release was in two parts in 1970 and 1971 (filming was still ongoing when the first part was released) with the bamboo forest sequence that concludes Part 1 reprised at the beginning of Part 2; this version has a combined run time of 200 minutes. In November 1971 both parts of the film were combined into one for the Hong Kong market with a run time of 187 minutes. Its running time of over three hours makes it an unusually epic entry in the wuxia genre.
== Plot ==
The story is largely seen through the eyes of Ku, who is a well-meaning but unambitious scholar and painter, with a tendency towards being clumsy and ineffectual. A stranger arrives in town wanting his portrait painted by Ku, but his real objective is to bring a female fugitive back to the city for execution on behalf of the East Chamber guards. The fugitive, Yang, is befriended by Ku and together they plot against the corrupt Eunuch Wei who wants to eradicate all trace of her family after her father attempts to warn the Emperor of the eunuch's corruption.
One of the unique aspects of the film is that Ku is a non-combatant all the way through the film and only becomes involved when he sleeps with Yang. Upon doing so, he is no longer the naïve bumbling innocent, but instead becomes confident and assertive, and when Yang's plight is revealed, he insists on being part of it – and even comes up with a fiendish "Ghost Trap" for the East Chamber guards. This is a plan to use a supposedly haunted site to play tricks on the guards to make them believe they are prey to the undead. In the aftermath, Ku walks through the carnage laughing at the ingenuity of his plan until the true cost of human life dawns upon him.
After the battle, Ku is unable to find Yang, whom he is told has left him and does not want him to follow her. He tracks her down to the monastery of the saintly and powerful Abbot Hui Yuan, where she has given birth to a child by Ku and become a nun. She tells Ku that their destiny together has ended and gives Ku their child. Later, when Ku and the child are tracked down by Hsu Hsien-Chen, the evil commander of Eunuch Wei's army, Yang and Abbot Hui come to Ku's rescue. In the ensuing battle, Hsu is killed and Yang and Abbot Hui are badly injured (the latter bleeding golden blood). The film famously ends with the injured Yang staggering towards a silhouetted figure, presumably Abbot Hui, seen meditating with the setting sun forming a halo around his head, an image suggesting the Buddha and enlightenment.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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